ANOTHER ATROCITY

 

The Impossible Room. The inclined floors seemed a model of Talbert's oblique personality, forever meeting the events of time and space at an invisible angle. The clinker-like rock towers, suspended above the silent swamp, create an impression of profound anguish. As he rested in Catherine Austin's bedroom, Talbot listened to the helicopters flying along the motorway from the airport. Webster stepped over the armless body of Karen Novotny hanging face-down from the rear window. These ideograms, like the hieroglyphs of a race of blind seers, remained on the grey concrete after Xero had gone, the detritus of this terrifying psychic totem. After a preliminary course in anatomy it was found that caecum and transverse colon also provided excellent sites for excitation.

The Karen Novotny Experience. Catherine Austin watched from the radiator panel, arms folded across her breasts. (2) The angle between two walls. The billboards multiplied around them, walling the streets with giant replicas of napalm bombings in Vietnam, the serial deaths of Elizabeth Taylor and Marilyn Monroe terraced in the landscapes of Dien Bien Phu and the Mekong Delta. He took me on the Mollar line ferry to the cotton mill he owned on the Pootung shore, two miles down-river from the Bund. An hour later a landing craft came alongside. Bernouli's monographs on imaginary defects of speech are a classic of their period, equalled only by his series of imaginary diseases of the bladder and anus.

By day the overflights of B-52s As they entered the cinema, Dr Nathan confided to Captain Webster, 'Talbert has accepted in absolute terms the logic of the sexual union. The next morning, Travis wandered along the gunnery aisles. She followed Koester along the verge, the pressure of his hands and loins still marking her body. As they left the cubicle beside the kiosk he followed them towards the car park. Over the exhausted eyes presided the invisible hierarchies of the quasars. As to the figure of Nader -- one must remember that Talbot is here distinguishing between the manifest content of reality and its latent content.